Jewellery workshop · Hatton Garden, London

Standard schedule · Volume terms · Prices exclude VAT

A&M Newsroom

Jewellery production, explained.

Manufacturing guides and practical workshop knowledge for jewellery retailers, designers and brands.

Detailed ring finishing at the workshop bench, photographed in black and white
Finishing at the bench

Informed briefs lead to better workshop decisions.

Explore design development, manufacturing, setting, finishing and production planning with A&M Jewellery Workshop.

Latest guidance

Explore the latest workshop guides.

Jewellery Aftercare Cards: Match Instructions to Materials and Treatments

A useful aftercare card helps the customer look after the piece they actually own. It should reflect the metal, stones, surface treatment and construction, together with any relevant information from a repair. A generic instruction that sounds convenient can be unsuitable when applied across an entire jewellery range.

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Signet Ring Engraving Brief: Artwork, Orientation and Available Space

A signet ring engraving brief should make the intended result visible before any mark is applied. Initials, a monogram or a detailed emblem can be interpreted in different ways if the workshop receives only a small reference image and a request to make it fit.

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Restoring a Satin or Brushed Jewellery Finish After Wear

A worn satin or brushed finish needs a clearer instruction than make it matt again. The direction of the texture, its apparent coarseness and the way it meets polished areas all contribute to the design. A repair that restores a non-reflective surface but changes those relationships may not match the owner’s expectation.

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A Chipped Diamond Before Resetting: What Must Be Decided?

A known chip should be part of the first resetting conversation, not a detail the setter discovers after the new mount has been made. The condition can affect the proposed setting relationship and may require advice from an appropriate diamond specialist. It should not be treated solely as a cosmetic feature to hide beneath metal.

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A Split Ring Shoulder: Why Closing the Crack May Not Be Enough

A split in a ring shoulder is a visible fault, but it is not a complete diagnosis. The workshop needs to establish what remains around the split and whether the ring’s shape or setting has also been affected. Simply instructing someone to close the crack may leave the most important part of the assessment undefined.

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Resizing a Ring with Stone-Set Shoulders: What Needs Checking?

When stones extend into the shoulders of a ring, a sizing instruction needs to account for more than the plain underside. The workshop must consider how the proposed change relates to the set areas and whether their existing condition is suitable for the work. The number of sizes requested is only one part of that assessment.

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Replacement Jewellery Components Without Original CAD

A missing original CAD file does not define the whole replacement problem. The more useful questions are which component is required, what it must connect to and what reliable reference information remains. A replacement clasp element, mount section or decorative part needs a brief tied to the actual retained assembly.

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Convertible Jewellery: Planning Detachable Components

Convertible jewellery needs more than an attractive finished arrangement. The design must also explain how its parts connect, how the wearer changes them and what each permitted configuration should look and feel like. A detachable drop, interchangeable ornament or removable pendant component creates several related design questions.

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Will Rhodium Plating Cover Scratches? Assess the Surface First

Rhodium plating should not be presented as a way to rebuild a scratched or dented jewellery surface. It changes the surface finish; it does not restore missing metal or make a damaged setting sound. If the customer expects visible wear to disappear, that expectation needs a separate assessment before the coating is discussed.

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Reusing a Customer’s Diamonds in a New Jewellery Design

A customer’s existing diamonds can give a new design a personal starting point, but the design should develop around the stones that are actually available. Their condition, dimensions and relationship to the original settings need assessment before a retailer promises a particular arrangement or finished appearance.

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